Guest Post: Tree District Books

Here’s a guest blog post written by Tree District Books about their company. Learn more about them at treedistrictbooks.com.

tree district books logo

Tree District Books was created out of a love for reading and writing. We wanted to share our enjoyment with these activities with the world. In order to do this, we decided to help folks become the best writers they could. That’s why we not only publish, but also offer self-publishing services. We want people to enjoy creating stories and sharing their experiences and ideas with the world.

As we have grown in the past year, we have seen writers come to life. It has been a joy to see folks light up when talking about their work and get excited about perfecting their vision. When writers come to us with their stories, they have often been turned away from bigger publishing houses and sometimes feel discouraged. It’s wonderful to be able to see the potential in their work and have the ability to help them along their journey as an author. In our first year we have signed seven authors! It is an honor to be their publisher.

Our clients that use self-publishing services are just as important to us. While they aren’t using us to publish their work, they have still trusted us with their work, which as any writer knows, is like trusting someone with your child. To see the creativity our customers have and to assist them with our many services is incredibly fun. It’s a great creative outlet.

Our main goal is to keep the joy of the written word alive in a society where we all could use a little more connection. Writing is a wonderful expression and its connects us in so many ways. We provide professionalism and care, and we couldn’t be happier to do it!

For those looking for a publisher, please visit our website (www.treedistrictbooks.com) to submit your work. Please also visit our site to view our many other services including membership, website building (including SEO), editing, cover design, ISBN procurement, barcoding, copyright submission, translations, marketing, and more.

Keep writing out there!

Be sure to check out my guest blog about self-publishing as a teenager on their site at www.treedistrictbooks.com/blog.

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Writing as a Full-Time College Student (And Athlete)

Writing as a Full-time college student (and athlete)

I just finished the first draft of my second novel! It is a completely different story line and genre (realistic fiction) than INSOMNUS (sci fi/fantasy/thriller) which I’m excited about. I also think it better captures my current writing style and abilities. (Sorry to those who were hoping for another angsty thriller).

While I have a lot of editing before the next stage, whatever that ends up being, I thought now would be a good time to discuss writing as a full-time college student (and athlete). (And why I had taken a break from blogging.)

Although going to school full time may take a similar amount of time as having a full time job, there’s nothing like writing essays and reading textbooks all day to squash your willpower to write and read and be Creative. So what can you do about it?

Here are 10 tips that worked for me while, especially this last year (as I went to college and played volleyball and managed to write a whole novel in 7 months).

1. Take advantage of breaks. And don’t be afraid to take one yourself.

Most of the work on my novel took place during winter, spring, and summer breaks. These are great times to cram in writing or reading you didn’t have a chance to do during classes- without the added mental energy drain of homework. On that note, however, the “write every day” philosophy likely won’t apply to you during the school year. And that’s okay. You might have to take days, or weeks, or months off, and that’s okay too.

2. Set writing goals, but have different expectations during the school year.

It’s important to have goals to make sure writing still gets done, but you may have to switch from daily to weekly or monthly goals. You might not be able to accomplish the 500/etc words per day you normally crank out (in part because you’re also doing 500/etc words on essays and homework).

For me, this meant that I was no longer blogging during the school year (sorry guys) although that may change this coming year. It also meant week-to-week my writing goal changed from 0 words to a few thousand depending on what else was going on.

3. Take advantage of creative writing classes.

Not only does it limit the workload of other classes and force you to have deadlines, you can get great feedback and learn more about the craft to grow as a writer. I got to explore writing short stories, which is something I hadn’t done before. I learned a lot about story structure and characterization, among other things, and even had one of my stories (Smile) published in the Widener Blue Route. (Plus if you’re a writer, I’m guessing this would be something you love doing. So do it!)

4. Use what you learn as background for your writing.

The great thing about going to college is you are learning all day, every day, about things you are (hopefully) passionate about. One of those things, for me, is neuroscience and psychology. So why not use what you learn as your inspiration and background research for your next piece? You can save time, it’ll be about something you love, you’ll have resources (professors, other students) to ask questions, and you can learn about the material from a different angle, thus cementing what you already know. (Win-win-win-win-win, amiright?

For example, for me, this is psychology and neuroscience which is why my next book is of a boy battling a mental illness (I won’t tell you which one yet, though).

5. Think about exploring other mediums (ie short stories)

This goes back to #3 a little. Part of what I loved about short stories the past 2 years was that I could carve out a few hours to write. In that time I could finish a piece, learning about endings, beginnings and everything in between- in waaayy less time than writing a whole book.  Plus shorter pieces can be published to increase your resume and credibility as an author (and its pretty motivating to see your name in print).

There are many writing journals exclusively for Undergrads (like the Blue Route) as well as other journals based on genre or other characteristics. Your school might have a publishing avenue as well, either a book or journal or website.

6. Take advantage of down-time (and yes, Netflix).

I’m sure you were bracing yourself for the part where I say you should give up your TV time and instead write. While that could be (really) beneficial, you can still gain a lot from watching your favorite Netflix series, as long as you watch as a writer.

For one, focus on dialogue. What works and what doesn’t and why? How can you incorporate this? Look at character development. What do you know about the characters and how was that revealed? How do they change across an episode or season? And even something as simple as, what names do you like that you could borrow for your own pieces?

Similarly, I highly recommend keeping a note on your phone and/or having your writing in Google Docs or something similar so you can write down ideas when they come to you or write for the extra minutes you have before class or meals or meetings.

7. Schedule in writing time and give yourself deadlines.

I just found this awesome, but simple, website Prolifiko. It allows you to set big goals (ie write a book) and then smaller goals (ie write a chapter) with a deadline. You then get emails that cheer for you when you complete a goal. One problem with school is that since schoolwork has obvious deadlines it seems (and can be, granted,) more urgent. This can help shift the focus back to writing, allowing you to accomplish little goals and feel good about them rather than feeling overwhelmed by abstract, long-term goals.

8. Reach out to other student writers to get feedback. And make writer friends 🙂

If you take a writing class or join a writing group, don’t be afraid to approach other writers to create a critique group or to have them beta-read a piece of yours. Otherwise, if you aren’t in a class or group, reach out to the president of a group or an English professor to see if they can connect you with other student writers.

I sent my in-progress manuscript to two of my friends to help me edit the first draft and to help me motivate myself to actually finish it. I knew they were waiting for additional chapters so it kept me writing. The fact that I knew they would edit it for me kept me from focusing on making it perfect (and thus not writing at all).

9. Know that writing may take a back seat, especially during finals or other busy times, but that doesn’t make you less of a writer.

I know I touched on this earlier, but it’s worth repeating.

10. On the other hand, if you have a week with less work, think about writing instead of catching up on Netflix. (Or at least instead of only watching Netflix).

As great as finishing up Black Mirror or Grey’s would be, imagine how great it will feel to finish a novel or short story or whatever it is you’re working on.

It’s pretty great.

 

If you found this post helpful, subscribe to my blog (on the right) or share it on social media. I promise that I’m too busy to inundate your mailbox 🙂

I wrote previously on Challenges (and Solutions) For a Writer in College  so check that out if you haven’t already. 

Feel free to leave your thoughts/suggestions/comments below or contact me!

Review of Tess Wakefield’s Purple Hearts

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I picked up Tess Wakefield’s debut novel Purple Hearts in a bookstore in Wisconsin, in part because she was a Minnesota author, just like I am, and in part because I loved the cover with the converse shoes and work boots underneath a teal background with a white title (as much as it is frowned upon to judge books by covers as a metaphor, I firmly believe there’s a reason the metaphor exists, especially when there’s not much else that can be considered when choosing a book).

The other reason I bought Purple Hearts was because I was intrigued by the blurb. I spend a long time picking up book after book, carefully setting it back because the backs promised a Girl who meets A Boy who is Not Like Any Other Boy or stories that seemed similarly cliché. Purple Hearts, on the other hand, is about a girl, Cassie, who marries a soldier for his health insurance and they must “set aside their differences to make it look like a real marriage… unless, somewhere along the way, it becomes one…”

Although it’s easy to see where the story might go, the way in which the story unfolds and the choices the characters make are not cut-and-dry, creating a book that is hard to put down. The dilemmas are realistic, as are the solutions, and the plot is character-driven, as it should be.

One of the first things that pulled me into this book was the writing style. Part of me kept reading because the plot was compelling for sure, but an equally large part of me kept reading because I wanted to keep experiencing the wonder that is Tess Wakefield’s writing. The dialogue is realistic. The characters are complex. The figurative language is beautiful. If her writing contained nutritional value, I would happily eat it for breakfast, lunch, and dinner every day of the week.

This was also a book with one of the most successful uses of multiple points of view, where the narrator switches each chapter. Part of this is due to Wakefield having created strong characters that are not too much alike and both have similar, although maybe not exactly equal, narrating power. The chapters are short, keeping the pace of the book fast, and the switch between the points of view is amazingly effortless for the reader.

(Spoilers): In terms of what I would have changed in the book, I had a little trouble believing Luke wouldn’t have any more problems with his drug dealer just having beaten him up, especially since I’m sure Johnno has other people he could recruit to help get back at Luke. I’m okay with it, especially since I can’t think of a better solution except maybe calling the cops, but it made me have less faith in his decision-making abilities.

Also, I loved the ending, but I also think it could’ve been longer, at least so I (selfishly) could’ve experienced just a little more of Wakefield’s writing. It did feel make the story feel complete and cohesive, which I loved. Also, the ending was realistic and fitting without being too predictable, a feat for which I thoroughly commend Wakefield.

All in all, I think adults and young adults alike would love this book, especially those who like romance that isn’t too cliché or cheesy and who like rounded characters, great writing, and a unique premise. I can’t wait to read what Wakefield writes next.

If you liked this post, check out my book, INSOMNUS, on Amazon and Barnes and Noble.

How to Run an Effective Kindle Promotion (For Free)

Free ebook giveaways on Amazon are a great way to jumpstart sales, increase reviews, and expand your book’s exposure. So how do you make the most of a free ebook giveaway? Here are 5 easy tips. 

1. Take advantage of each enrollment period. Amazon only lets you put your kindle book for free once per enrollment period, or every 90 days. Take advantage of each one, even if it means setting alerts on your phone or putting it in your calendar to remind you.
2. Make your book free. I personally have had way more success making the book free than doing a countdown deal (where the book is gradually discounted over a certain period of time). Plus, there are a lot of sites that will allow you to advertise free ebooks, for free. This means more people will download and read your book without you having to spend money to promote it. 
3. Sign up on promotion websites. The best part about these websites is that they’re easy (less than five minutes to sign up), reach a large number of people, and most are free. (I don’t recommend paying for any of them, especially because you don’t have to to get exposure).
Two sites I use almost every time I do a giveaway, and love, are https://www.readersintheknow.com/list-of-book-promotion-sites and http://authormarketingclub.com/members/submit-your-book/. They list plenty of sites you can sign up with that are verified, with links to each. The first one even lets you sort by type of promotion (including free!)
4. Post about your promotion on social media, not just on the first day of the promotion. People are going to forget to download your book, even if they really want to read it, if you don’t keep reminding them that it’s available. That being said, post about other things, too (perhaps celebrate another author’s success or post something inspirational). Just be sure not to inundate your followers with posts about your book promotion.
5. Have an author website, even if its only a free version on WordPress. You’ll need it for some promotion websites. Also, its great to have as a link on social media posts so you can tell readers more about the book than what fits in a tweet.
6. Tell family and friends. Especially if you know people who are interested in your book, but never enough to pay the full price, now is a great time for them to get it. Even though you won’t directly benefit from the sale, word of mouth is a powerful marketing tool.

Be sure to check out my YA science fiction book, INSOMNUS, on Amazon. It’ll be free July 1st-July 5th!  

Guest Post: Alex Stargazer’s Review of Vivaldi in the Dark

This post was written by author Alex Stargazer, blogger at http://alexstargazer.blogspot.com/?m=1.


Vivaldi in the Dark was a book I hoped to enjoy greatly; alas, I found it somewhat disappointing. Although the character-building was excellent, a number of other things held it back.

Vivaldi in the Dark, as the title may suggest, is about a certain reluctant violinist known as Darren. The meat of the story centres around his relationship with Jayden—a cute, rather effeminate young man with a penchant for writing plays. The author has also woven in a little additional detail: Jayden is a working-class boy suffering in a comprehensive, whilst Darren is a posh boy in a private school. I admit I am a fan of class differences in relationships; they make things that much more layered.

Anyway, back to the main plot. Vivaldi certainly has plenty to recommend it: the character portrayal is adroit, sensitive, and convincing. It’s a proper romance novel, unlike too much of the sad drivel bearing the moniker ‘LGBT’. It is also, in fact, quintessentially British; I suspect many American readers will be left in quite a fuddle.

Nonetheless, despite these strengths, several aspects of the book fell short.

To begin with: the sex. I know it’s politically incorrect, and somewhat offensive, to say this—but the interests of reviewer honesty compel to say it as it is. An a-sexual transgender man doesn’t get what it’s like to be a horny gay male teenager.

This I could overlook, if the book also didn’t suffer from some technical issues. The pacing is not well done: the story seemed to stutter towards the middle, while the ending felt a little rushed. The writing is problematic; there were, simply, too many occasions in which I was wondering who was doing the speaking. The copious use of italics began to annoy after a while.

The biggest technical problem, though, is point of view. Though written in third-person, the book actually feels like it’s been written in first person. Point of view transitions are clumsy and confuse the reader.

In short: this book could have been better had it been stronger technically (a little more editing might have helped with that). As it is, despite enjoying the story, I still struggled to finish this book. The pacing and points of view errors jarred too much.

Rating: 3/5.

The Role of Genre: Guest Post By Alex Stargazer

 This is a guest post by Alex Stargazer—teen writer, author of the Necromancer, maintainer of the Magical Realm and enterprising journalist.

Today I want to talk to you about a topic that comes up often in the publishing world, and though casually used, it is rarely discussed in detail. I am of course referring to genre—the simple labels such as ‘romance,’ ‘fantasy’ and ‘thriller’ that are used to categorise novels of broad and (oftentimes) interlinked subject matter. I intend to answer the following questions. What is genre? And, to what extent is it useful?

Defining the Vague

The trouble with defining novels—or pretty much any artistic work—is that there are rarely any hard and fast rules, and this is because art is, by nature, fluid and complex. That said, in the writing world, one does find that many books do in fact share particular traits, clichés, and traditions.

Fantasy—my preferred genre—is often attributed to the works of JRR Tolkien, who defined the modern genre. I believe this is, to some degree, untrue; there have been many stories, especially in the oral tradition, that contained supernatural or fantastical elements, and these preceded The Hobbit by quite some time. (Indeed, Tolkien even based much of his world on Anglo-Saxon and Norse mythopoeia.)

In any case, fantasy is a genre that is usually clearly defined. Firstly, there is magic of a sort—be it in the form of mages, dragons, undead, or any of the other multitudinous creations of fantasy authors’ minds. This is not quite the same thing as the supernatural or the paranormal: ghost stories and Molly’s own In Somnus are better examples of that.

On top of that, fantasy is usually set in a particular kind of world. Usually, this is a mediaeval or quasi-mediaeval European world; but the subgenre known as contemporary fantasy is set in a modern or futuristic world. There are abundant examples of both subgenres in the literature. My own novel is one of the former; and currently I am writing one of the latter. Well known examples I could cite would include Eragon or the Garthsea Quartet in the high fantasy genre, and the Mortal Instruments as contemporary fantasy.

Paranormal is a related genre, and it is defined by the existence of supernatural (though quasi-scientific) powers that characters possess. This genre is always set in a modern or futuristic world.

There are many other genres. Thrillers usually describe fast-paced, action-orientated crime novels: Dan Brown’s The DaVinci Code is the archetypal example. But, thrillers are not detective or mystery novels, which are much more slow-paced and feature quite different kinds of conflict and plot set-up. To confuse matters further, there are also so-called ‘historical thrillers’—a genre that I consider an oxymoron, since historical novels focus on complex social conflicts that are distinct from the kind found in thrillers.

There also exists a whole subset of romance genres. Young adult romance operates quite differently to novels that are aimed at adult readers; while your average swooning western is a rather different beast from hardcore erotica.

So we’ve established that clear differences exist. But surely there is also a lot of overlap? Both my novels and Molly’s include romance as part of a broader paranormal or high fantasy plot. Many thrillers (again I refer to the quintessential Dan Brown) also include romance. And one can find historical fantasy novels, or paranormal thrillers.

To Genre or not to Genre
Despite these overlaps, I believe genre remains a useful concept. For one, it is immensely useful in marketing: genres tend to appeal to certain readers, and this makes it much easier to target them with promotional material, review requests, ads, and what have you. This is the main practical justification of genre.

But there is also another justification, which is more contentious. Do genres improve writing? The argument goes like this: genres have a strong set of conventions, or perhaps ‘tradition’ would be the better word. They give writers something to work with. And, furthermore, they give readers something to work with, too. Experienced readers of fantasy are connoisseurs of a vast repertoire of ideas; this allows writers to create extremely complex and detailed worlds that would otherwise be difficult to carry across to a virgin audience.

The counterargument (and one that is especially made by proponents of ‘literary’ fiction) is that genre is stifling and limits creativity. I would argue that this is a misguided view, however; for the purpose of genre is not to act as a rigid, rule-bound straightjacket, but rather as a kind of literary tradition. And of course these traditions are not mutually exclusive—they can be combined in ‘cross-genre’ books. The novel I am working on right now, Fallen Love, is one such example. There are others.

Conclusion
Genre is a complex phenomenon with a varied history. Some genres have existed for a long time (see: 19th century romance, proto-fantasy fairytales) while others are much more recent (see: the paranormal genre, urban fantasy). Nonetheless, they all have one thing in common: they are a means by which readers can discover authors that write what they want, and by which authors can target readers who are interested in what they write. Genre also has a tradition, sometimes a long standing tradition, and this can provide additional depth to a novel.

As for the future of genre, that is a question which we cannot authoritatively answer in the present. But if there’s one thing I’m confident of, it’s that the future—in ten, one hundred, or a thousand years from now—will have genred fiction.

If you enjoyed reading this piece, head over to alexstargazer.blogspot.com to read more.

 

 

Melissa Clark: My Publishing Mistakes

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This is a guest post by Melissa Clark (@melissaclark), teen writer and founder of Teen Authors Journal.

Ever since I was little, publishing a book has been my dream. My first time experiencing this feeling was at the age of seven. I was browsing through a local bookstore and realized that I didn’t want to be the shopper anymore. I knew instantly that my dream was for people to browse my books.

So I embarked on a journey down the publishing path. I finished my very first manuscript (only 100 pages long) when I was nine years old. I gave it a silly title and self-published it through Lulu.com.

Now, I didn’t exactly share it on Amazon or anything complicated like that. I was a highly inexperienced author at the time, so let’s simply say it wasn’t good enough to share to the public. However, it was something my close friends and family could enjoy.

Soon enough, I grew embarrassed of my novel. From the age of nine to ten, my class was given various English assignments as a foundation of writing. Since my first book was published, my writing had improved by miles.

From then on, every look at my book made me cringe. Hearing people calling my awful work good felt like mockery, as I knew my old skills could not compare to my current ones.

My parents bought a copy of my book for me to gift to the principal. Pretty soon, everyone in my school knew I had written a novel. I was embarrassed, and I wanted to prove them all that I could write something better.

I wrote two more novels after that. Neither of them were published. They were so pathetic I didn’t bother editing them. I threw them in the trash and started my next one.

Throughout fifth grade, I plotted the story every day when I had spare time. Two years later, I was finished with 300 pages, and I was proud.

But I made one awful, horrible move.

I spent so much time thinking about publishing my novel that I grew impatient. I must have only edited for about two months before I decided to publish it to Amazon (through CreateSpace) for the world to see.

I remember holding those 300 pages in my hands and feeling like I had hiked Mount Everest. But when I opened the book, I was hit in the head with a scrambled mess. Typos. Plot holes. Wrong names. Too many characters. Did it just change from present to past tense?

So I hit delete. Again. And this wasn’t because of embarrassment. Sure, that was part of it, but the real reason was because no one was buying my book besides friends and family. I waited days. Weeks. Months.

Nothing.

This happened due to four of my mistakes:

 

  • Rushing through the editing process. My book had potential. (Every book has potential.) However, I didn’t put enough effort into proofreading, checking for plot holes, etc.
  • Not finding beta readers. I believe it’s important to have at least one dependable person read through your book before publishing it.
  • Not spending enough time on the cover and book blurb. These are important because they are the first impression of your book. When I was editing mine, I grew impatient and simply created a mess. The cover was sloppy; my book blurb included a few typos.
  • Not enough promotion. In self-publishing, you have to promote the book yourself. This means whipping out your phone and hopping onto a social media app is a must. Without putting your book out there, no one is going to read it. If you’re optimistic and think that someone will magically land upon your book on Amazon, stop. The chance is rare until you get more people to buy it and write reviews.

This time, I’m doing my best to write a book that I can truly be proud of. Although my self-publishing experiences were discouraging, I’ve learned a lot from them and realized that my true goal is to be traditionally published.

So if you are a teen hoping to share your novel with others, whether through self-publishing or traditional, please enjoy every bit of the process. If you skip steps, you’re only creating air bubbles. Slow down, take a deep breath, and tackle one piece at a time.

 

 

Review of Salt to the Sea by Ruta Sepetys

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I’ve wanted to read this book since it came out on a list for “books to look forward to most in 2016”. The story sounded intriguing and I loved the cover, but I didn’t get around to reading it until recently, but it was well worth the wait. 

Here’s what it’s about:

“World War II is drawing to a close in East Prussia and thousands of refugees are on a desperate trek toward freedom, many with something to hide. Among them are Joana, Emilia, and Florian, whose paths converge en route to the ship that promises salvation, the Wilhelm Gustloff. Forced by circumstance to unite, the three find their strength, courage, and trust in each other tested with each step closer to safety.

Just when it seems freedom is within their grasp, tragedy strikes. Not country, nor culture, nor status matter as all ten thousand people—adults and children alike—aboard must fight for the same thing: survival.

Told in alternating points of view and perfect for fans of Anthony Doerr’s Pulitzer Prize-winning All the Light We Cannot See, Erik Larson’s Dead Wake, and Elizabeth Wein’s Printz Honor Book Code Name Verity, this masterful work of historical fiction is inspired by the real-life tragedy that was the sinking of the Wilhelm Gustloffthe greatest maritime disaster in history. As she did in Between Shades of Gray, Ruta Sepetys unearths a shockingly little-known casualty of a gruesome war, and proves that humanity and love can prevail, even in the darkest of hours.”

 

My Review

No Spoilers

5/5 stars. This was a brutally honest, emotionally gripping, and informative in the best ways. I really appreciated the short chapters and the fast pace to the book as well as the overall unpredictability, especially given we know the ship sinks. Sepetys is excellent at creating characters who are easy to root for and who have both clear motivations and realistic responses to the (equally well-crafted) plot and setting. The cover is as haunting and beautiful as the text it contains.

The whole story was the right balance of suspenseful- enough so it was hard to put down but not too much so it was painful to read or utterly hopeless.

Sepetys also excelled at characterization. I loved the truthfulness in the shoe maker’s comments and how this also helped characterize the others. Furthermore, it was impressive that all four characters could have distinct personalities given the story switches so much (but thankfully is still easy to follow).

Spoilers

While I appreciated the fact that Joana, Florian, and the baby survive, it did seem a little unrealistic, but I suppose this is better than utterly depressing. I’m glad we got to see Alfred’s side of the story, especially since it helps shed light on his motives. Also, most books focus on the persecuted, so I appreciated getting both perspectives. I’m relieved Alfred didn’t hurt Emilia or survive when she didn’t (although I was initially confused as to her fate, so this could have been made clearer). Additionally, I’m glad we didn’t know the backstory to her pregnancy until later. The way she coped with it seemed accurate in a way that made it more relatable, powerful, and sickening.

 

Speaking of book reviews, if you’ve read my book INSOMNUS, please leave a review on Amazon or Goodreads. (I still have free bookmarks I’d love to give you if you do). 

 

Review of Twenty Boy Summer by Sarah Ockler

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I bought Twenty Boy Summer because of the great reviews and the intriguing blurb:

“”Don’t worry, Anna. I’ll tell her, okay? Just let me think about the best way to do it.”
“Okay.”
“Promise me? Promise you won’t say anything?”
“Don’t worry.” I laughed. “It’s our secret, right?”

According to her best friend Frankie, twenty days in Zanzibar Bay is the perfect opportunity to have a summer fling, and if they meet one boy every day, there’s a pretty good chance Anna will find her first summer romance. Anna lightheartedly agrees to the game, but there’s something she hasn’t told Frankie—she’s already had that kind of romance, and it was with Frankie’s older brother, Matt, just before his tragic death one year ago.

Beautifully written and emotionally honest, this is a debut novel that explores what it truly means to love someone and what it means to grieve, and ultimately, how to make the most of every single moment this world has to offer.”

 

My Review

No Spoilers:

5/5 Stars. Since this was a book about summer and relationships, I was pleasantly surprised as to how well it was written, given summer reads aren’t often good at writing so lyrically. The descriptions were so spot-on and well-crafted– I think Sarah Ockler is one of the most talented authors I have read. Furthermore, Twenty Boy Summer no way cliche and was emotionally touching, but in a hopeful way. The book address a lot of important issues surrounding relationships, loss, and moving forward, and does so in a way that causes one to reflect and leaves one feeling optimistic. Read this book.

 

 

Spoilers:

I really liked that Anna not only had realistic emotions, especially with the journal, but then was able to figure out what those emotions were and meant. It was easy to connect with her in that way, because I think a lot of people have experienced similar situations, and it brought a new level of meaning to what she had lost and then what she discovered about herself in California.

I didn’t like that Frankie lied about her relationships and that this became the motivating factor for Anna to be with Sam, more than her liking him, although she did. I think it was a truthful reflection in that people often lie about their relationships, but I just wish Anna had put less emphasis on being “experienced” like Frankie and more emphasis on being driven by liking Sam.

Some people had mentioned they hated the fact that this was called Twenty Boy Summer when there ends up being less than ten, but I think its reflective of the fact that the girls were looking for a lot of superficial relationships instead of what they needed, which were a few deep ones. Part of the beauty of this book was that the girls didn’t meet their goal and were better off for it. Also, Twenty Boy Summer sounds better than Ten Boy Summer. It just does.

 

Speaking of book reviews, if you’ve read my book INSOMNUS, please leave a review on Amazon or Goodreads. (As a bonus, I’ll send you a free bookmark if you do).